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Originally Posted by flkersn
I don't know why I did not pick up on this before now. If Patrick is correct and there were two "feeds" of gray back stock into the presses, might that not explain the two gray back/front variations? That is, the "white/glossy" front and the "gray/dull" front? Slightly different types of gray back stock introduced at different times.
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I had been considering that possibility of different gray stocks as well. A visual inspection of the two gray back variations doesn't reveal anything to me - but the glossy white front variation does seem to have a rougher feel to it (even though I can't see a difference in texture). fwiw - I only have a single glossy white front variation for comparison so the sample size is small :-).
Quote:
Originally Posted by flkersn
Further, if Patrick is correct about introducing the gray at the beginning and at the end of the run, might the white front/gray front examples run over into the 2nd and 4th series? For example, a noticeable amount of white front/gray back in the 2nd or 4th series, and vice-versa. (Not sure I have explained this very well!)
Bill
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Makes sense to me and seems possible...
- Jim