Pls look again Rob - I don't see Jose making a fist until he gets clocked. Both angles back this up but the one I posted earlier makes it very clear. Anyone else see JB making a fist, or am I going blind?

If those pics of Odor are from this year, then he was called out. If they were from previous years, perfectly legal.

In Tom C's video above, it sure looks like Bautista's fist is going back and starting to close. He was just slower than Odor. I'm sure Odor is no angel but Bautista has made his own nest around the league. IMO he needed to be humbled, and I think that may have just happened.

Rob M.

It not a secret that I am a fan of JB, but as a fan of baseball I need to point out that the game has room for personalities and its hard scrabble players and plays. I am no wall flower. Jose has done enough in the league to earn a bit of playoff homerun boasting. Odor has not done much yet (save landing a haymaker).

Poll?
 

Should Bautista exorcise the funk?

Agreed. And, I do enjoy the diversity of personalities in baseball as it gives you plenty of players to love, hate, laugh and cringe about. I'm a life-long Royals fan and yet there are players on the team that I would not care for if they weren't wearing a KC uniform.

Rob M.

Chris & Graig- Here's hoping this thread gets back to the subject of the upcoming painting and the process of creating it.


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Thanks Raymond. If Graig doesn't mind I certainly don't. Good to have some threads with a healthy back and forth.

Hey all,

Can I just say that I LOVE where this thread's been going. As I mentioned to Chris in an email just now, this pretty much confirms that he made the right choice for his painting. Clearly Bautista's actions last October really left a bad impression with the Rangers. And I'm not in a position to say whether what happened then or with Odor's punch is 'good for the game', but it makes the story of Chris' painting more and more compelling, in my eyes.

So, with that in mind, I'm happy to say that I received the stretcher bars for the linen last week. As I probably mentioned in previous threads, I use a heavy duty kind of bar, so there's less of an issue with warping. At the same time, it makes the painting feel a little bit more substantial to me. Unfortunately, like an idiot, I forgot to take a photo of the bars before construction. Doy!

After the linen was properly stretched and secured, I primed it with matte medium. The reason for doing so is to create a barrier between the primer the paint sits on and the linen itself. Over time, without such a thing, the oil paints will rot the linen. Granted, it probably wouldn't happen in our lifetime, but still.

Here's the canvas after the matte mediuming (Is that a word?):

http://i19.photobucket.com/albums/b1...psu6ezbvww.jpg

If any of you have ever heard of rabbit skin glue, matte medium is a water-based equivalent. The former is used moreso with oil primer, a ground that I don't really love painting on. Acrylic gesso is more my speed. For what it's worth, it's a little less archival, but the difference in that become secondary to the kind of surface I want to paint on.

After the matte medium dries, it gets two coats of gesso:

http://i19.photobucket.com/albums/b1...pslihb3qav.jpg

Now, the next step is to sand it down a little bit to get rid of any unwanted texture. And from there, it's onto the drawing!

It's probably worth noting that one can easily walk into an art supply store and buy a pre-made, pre-stretched canvas. And there's nothing wrong with doing so. Actually, the quality of some of them is REALLY good. But I just like doing it all myself - it's a weird sense of accomplishment to build these things from the ground-up, I suppose.

Anywho, if any of you have questions or comments about these steps, feel free to chime in. Or, if you want to continue chatting about anything related to Bautista, the bat flip, the punch, whatever, go for it!

Stay tuned...

Graig

Neat post!

I really like seeing stuff in progress with explanations like this. Especially when it's someone doing it themselves instead of using off the shelf stuff. (And like Graig said, nothing wrong with premade stuff it's just less interesting to me)

One of my customers when I was doing Hydraulics had a small press. The type he had is usually a laboratory press, and lasts a long time. He'd wear out the seals in a couple years. Finally I went to pick it up because he was busy and the tenants who'd helped him bring the working part downstairs had moved.
Turns out he was an artist who pressed his own linseed oil and added pigments to make his own paints. "Just like the did back in the old days " he said.

Pretty cool.