Tim, from a production standpoint, I have a question for you. Your incredible works are tantamount to impressionist paintings in a museum. From a distance you get a clear image of the subject, but when you get close up you see the work is comprised of brush strokes and dabs of paint, etc. When you are creating a piece, how often are you stepping way far back from it to make sure the weird colored shreds of baseball cards (your 'brush strokes' as it were) are achieving the desired effect from a distance?? I imagine the floor leading up to and away from your easel is just worn the heck out. Ha ha.
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