Quote:
Originally Posted by steve B
As far as how it got there it's pretty simple. Not easy to tell exactly what way but a few easy ones.
It was there when the original pasteups were photographed so it was on the negative used to produce the black plates.
or
It was a scratch on the black plate that made the errors.
or
It was a scratch on the negative used to make the black plates for the errors.
Whatever the exact reason, making any of the corrected versions meant making new plates from altered negatives, or from entirely new negatives from a corrected pasteup . And either the bit of fiber was gone from the pasteup, or the resulting negatives never got scratched.
Steve B
* It's "possible" there were transitional cards using a mix of old and new plates, but considering that removing the Ad was because of a federal law the whole set was probably redone all at once.
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Steve, thanks for the feedback. I have a very limited understanding of the process used to print the cards and very much appreciate your perspective. As I understand it, Fleer used 2 printing facilities to make the cards. Would that rule out that the scratch was on the black plate that made the errors, because there would have been more than one plate for 2 separate facilities? You mentioned that it’s possible that there are transitional cards using a mix of old and new plates and I believe that is what happened for all the cards that aren’t the final corrected version. Fleer wasn’t able to immediately cover the Marlboro sign completely and what they did was edit the cards in a way that they transitioned from the ad only being slightly obscured with tinting and still visible, to the ad being tinted so heavily that the ad is mostly unable to be seen and all these cards have the black hair. This editing was done in most part over the ad itself and at some point they changed the editing process to cover more than just the Ad, but the entire rectangular area on the upper right part of the card with a consistent blacking out that resulted in the final corrected version, and no more black hair. It seems that a similar situation occurred with the Billy Ripken errors from the set. The scribble, white out and double die edits where used by Fleer to edit the ad before they could produce the black box versions to cover the error, even though they had already begun producing the Johnson cards in their final edit form. Why couldn’t Fleer just edit out the ad more completely with their early attempts instead of having the cards slowly transition from lightly tinted to heavily tinted and why would they have so many unique attempts at covering the Marlboro sign?