[uyu906]

Hi John,

Thanks for your post. To play devil's advocate - If what you said about the Boomers creating the Mantle price premium is accurate (and I believe there is a lot of merit in what you said); what happens after all of the Baby Boom collectors pass on to the Great Ballpark in the Sky? Do Mantle prices go down and revert to prices equivalent to stars like Mays and Aaron? Or, do they stay at the same high levels due to the price premium becoming ingrained in the Hobby for 50 odd years??

Rich

Originally Posted by jchcollins

Dave, Bluejacket66 on YouTube and Stone Pony I believe here (Hi Dave, if you read...) is a Mantle collector and I know has said on YouTube there are certain cards he has not bought yet simply because he doesn't like the card and doesn't want to pay up for one ('55 Bowman, and '62 Topps, I believe).

The point being there is no right or wrong way to collect. You can consider your sets complete without him, or with a reprint, or with a beater version of the card.

Interesting discussion on collecting vs. being a fan. I'm a Cubs fan for 30+ years, so naturally I hate the St. Louis Cardinals. But I have found this is mostly only when I watch tv, not when I'm going over my collection. I started collecting cards as a kid before I became a Cubs fan, so in some strange way my hatred of the present day Cardinals does not affect how I feel about Stan Musial or Bob Gibson cards.

Is Mantle overrated / are his cards overpriced? Yes and no. People who don't understand the Mantle mystique by now likely never will. With the cards - in short, he was at the perfect apex of hobby and time. The baby boomers who took the card hobby from a geeky, hotel show underground thing in the 1970's to a mainstream, card shop-on-every-corner thing in the 1980's had one main baseball hero in common, and that was Mickey Mantle. So that is why him and his cards in comparison to others had a boom and a subsequent unique following ever since the early 1980's. Yes, there were better players, but Mantle had a mystique about him and New York and the 1950's that nobody else from that era really hit just right on the head like that.