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Go Back   Net54baseball.com Forums > Net54baseball Postwar Sportscard Forums > WaterCooler Talk- Off Topics

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  #1  
Old 04-27-2016, 09:46 AM
steve B steve B is offline
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The Wraith - Story about a guy killed in a street racing accident caused by the local rejects. Who then comes back as a sort of ghost/spirit of vengeance who's either partly a car that when it's hit or blown up basically vaporizes and recondenses back into a car. The car is the Dodge Viper prototype.

Shogun assassin - The shoguns head executioner gets too powerful and ninjas are sent to kill him but all they manage is to kill his wife. The shogun orders him to submit or kill himself, but he decides to become an assassin, bringing his small child with him. He gets more and more unkempt as the movie goes on, and the best acting is from the kid who never even blinks during the fight scenes which is most of the movie.
It's actually cut down from a series of six Japanese movies.

Deathrace 2000 - the original one from the 70's Probably not in the category of ones you've never heard of, but fairly far outside the mainstream. And an interesting commentary about violence in sports. Complete with a Cosellish character.

Steve B
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Old 05-06-2016, 04:12 PM
tschock tschock is offline
T@yl0r $ch0ck
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Quote:
Originally Posted by steve B View Post
Deathrace 2000 - the original one from the 70's Probably not in the category of ones you've never heard of, but fairly far outside the mainstream. And an interesting commentary about violence in sports. Complete with a Cosellish character.
Steve B
Ah yes...euthanasia day at the geriatrics ward.
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  #3  
Old 05-06-2016, 08:57 PM
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frankbmd frankbmd is offline
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What About Bob?
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  #4  
Old 05-09-2016, 12:41 PM
TUM301 TUM301 is offline
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Default Movies

Spy Who Came In from the Cold ( Richard Burton)
Hard Times (Bronson)
10 Little Indians
Battle Of the Bulge
American Crime (talk about a WILD flick)
American Werewolf In London
Requiem for A heavyweight
The Cinncinnatii Kid (McQueen)
Brian`s Song
Roman Holiday
These are just a few of the movies I`ll stop at every time while sifting through the listings. Couple others ,love the black and white, Billy Bud, One Eyed Jacks, Christmas Carol, and THE Drive In King------ Billy Jack !
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Old 05-09-2016, 07:05 PM
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Stonepony Stonepony is offline
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Quote:
Originally Posted by TUM301 View Post
Spy Who Came In from the Cold ( Richard Burton)
Hard Times (Bronson)
10 Little Indians
Battle Of the Bulge
American Crime (talk about a WILD flick)
American Werewolf In London
Requiem for A heavyweight
The Cinncinnatii Kid (McQueen)
Brian`s Song
Roman Holiday
These are just a few of the movies I`ll stop at every time while sifting through the listings. Couple others ,love the black and white, Billy Bud, One Eyed Jacks, Christmas Carol, and THE Drive In King------ Billy Jack !
Yeah, Billy Jack was intense when I was 10. Unfortunately it doesn't hold up now and for me its brutal to watch. Still love Coven's " One Tine Soldier" though
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Old 05-09-2016, 09:25 PM
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Tom S. Tom S. is offline
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Here's my list of ten lesser-known favorites (in no particular order, since I like 'em all) :

Gallipoli
Memento
Breaker Morant
Quiz Show
Dominick and Eugene
Thirteen Days
Blow Out
Rounders
Papillon
The Elephant Man

Last edited by Tom S.; 05-09-2016 at 10:03 PM. Reason: changed last title
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  #7  
Old 05-10-2016, 10:05 PM
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the 'stache the 'stache is offline
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Ok, so my last three:

The Big Sleep (1946). dir. Howard Hawks, starring Humphrey Bogart, Lauren Bacall. Warner Brothers just released a fabulous blu-ray of this film through their Warner Archive Collection. This is the second of four films that Bogie and Bacall did together; great noir with an equally interesting back story. The film was shot in 1944/part of 1945, and then shelved for the better part of a year. The Great War had just ended, and Jack Warner made the decision that the studio needed to push all their war-centric films to the theater while interest in the subject matter was still high. Based on some input received by Lauren Bacall's agent, several scenes were re-shot, giving Bacall more up close shots, and capturing the same acerbic wit she demonstrated in her first film (and first pairing with Bogart, To Have and Have Not). While her first film had been a major success, and critics had lauded her as a great actress, her followup, Confidential Agent (with Charles Boyer) was a box office bomb; the same critics that gushed about her ability, and screen presence, openly questioned if Bacall could act at all. Fortunately for the studio, and Bacall, the redone scenes improved upon an already good film, and created a cinematic classic.

Au revoir les enfants (1987). dir. Louis Malle, starring Gaspard Manesse, and Raphael Fejtö. This is a story focusing on two young boys living in a Catholic boarding school in Nazi-occupied France towards the end of World War II. Beautifully directed, and deeply personal, it would be one of the final films directed by the French master. Highly recommended!

Niagara (1953). dir. Henry Hathaway, starring Joseph Cotten and Marilyn Monroe. An atypical noir film, shot in glorious three-strip technicolor. Marilyn Monroe shines here as the archetypal femme fatale, flourishing with the opportunity to play something other than the stereotypical dumb blonde. Though critics at the time were not impressed with the acting in the film, focusing instead on the beauty of the falls, and Monroe's ample curves, I think both leads are quite convincing. Cotten, known for his performances in such heavyweight films as The Third Man, Citizen Kane and The Magnificent Ambersons, is electric as the paranoid husband. And Monroe, demonstrating subtle nuances to her acting at times, wields her sexuality with deadly precision. I've always found it sad that she was so limited, early in her career, in the kinds of roles she was given. That was Twentieth Century Fox, and the media, telling her what her "place" was in the grand scheme of things. This is a big reason why she fought to create her own production company. Niagara hinted at what she was capable of. Of course, it would be a few more years until Marilyn hit her stride as an actress, perfecting her comedic timing in Some Like it Hot.
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