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If they are pop controlling only the 10’s as alleged, then yes, your point that they are leaving a lot of money on the table in doing that would in theory be correct. Does anyone know how PSA handles this in reality if someone gets a 10 on a huge card and is unprepared to pay the hefty fee bump? Would they get the option maybe of taking the 9 and paying less? Surely not...
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. Last edited by jchcollins; 11-04-2022 at 08:06 AM. |
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#2
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Basically, the manufacturing process is absolutely part of a cards grade as grading is done now, as it considers defects in production as part of the grade. Or to try to put it simply, if a card is produced in a way that makes nearly every one produced so that it could never qualify as being higher than a 9 there will be a very low percentage of 10's. |
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#3
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I suppose if your argument is that slight discrepancies in the process produce noticeable 10's over 9's, then that is fair - but to your earlier point - the discrepancy there making a card centered 58/42 instead of 50/50 was not something that would have remotely been considered a defect for vintage cards when they were made. So my argument is that human construct has more to do with PSA 10's there than any significant manufacturing process difference.
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. Last edited by jchcollins; 11-07-2022 at 04:42 PM. |
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#4
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I also wonder whether the registration might be an issue in terms of whether it's 100% clear v. 97% clear, and that could cause a shift between a 9 and a 10. Arguably all of those factors that affect eye appeal, plus potentially a few more that might vary depending on the manufacturing process, seem like they could come into play here.
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Trying to wrap up my master mays set, with just a few left: 1968 American Oil left side 1971 Bazooka numbered complete panel Last edited by raulus; 11-07-2022 at 11:37 AM. |
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#5
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I will concede thusly: IF there is an aspect from manufacturing that leads a card to receive a 10 over a 9 (centered 3-5% better, registration 3% better, whatever) then ok, but that still does not explain the discrepancy as to why there are only twenty-five '80 Rickey Hendersons in a 10 vs. commons from the same set where the percentage of 10's is in the pop is easily higher. I guess my overall argument is that I believe in a majority of cases - that a 10 Gem Mint is a fallacy. Take all the PSA 9's, pick whatever percentage of cards of the whole, and give them 10's. I bet that 99% of the people wouldn't be able to objectively point out the difference, or why this card is a 9 and that one is a 10.
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. Last edited by jchcollins; 11-07-2022 at 04:45 PM. |
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#6
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Trying to wrap up my master mays set, with just a few left: 1968 American Oil left side 1971 Bazooka numbered complete panel |
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#7
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I could explain more precisely why those small differences would only apply to one card on one sheet, but it would be a long boring thing. If you want it I'll write it, but I suspect not. hardly anyone likes long boring stuff. ![]() The printing done in 1980 was not much different from that done in 1960. I doubt Topps got more modern tech until probably 1992. (And the tech would be incredibly similar to printing in the early 1930's some stuff just didn't change much. ) Thinking about the pretty crazy ratio, I went and checked the SGC pop report. They have about a 24:1 ratio. Which almost convinces me, since I looked at the other star cards on SGC, and the 9:10 ratios are almost universally worse. They really don't seem to like giving a 10 to anything. But with the much smaller sample size, it's hard to really compare. |
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#8
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. |
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