T220 Silver - Uncut Edition

[Pat R]

Originally Posted by G1911

Just confirming the sheet layout. Corbett and Randall/Belasco were the most tenuous placements as I had to eyeball the cut of the edges from less than perfect photographs and guesstimate where they belonged.

The guesstimate was correct. The Randall/Belasco is indeed above Coburn, fitting in perfectly in it's cut against both him and Jackson. Randall's back is more toned than the others - I suspect it was the one stored on top, upside down. We will probably never know the full backstory of who had these and brought them to the antiques dealer who sold them for pennies (Twice! The second time after being made aware of what they had), but it seems these sat untouched for a century in the NY area.

Corbett fit's in perfectly with Frayne. It is the only top edge panel with the white cut off, but most of the left side cards have their border trimmed off (only Choyinski has the sheet's left border, confirming for us that that it is indeed 5 panels to a row, 20 cards per row). As we have 23 of the original 25 surviving and only 1 with the corner still present (Jordan), this makes sense. What I took to be small staple or pin holes in the Corbett from the picture turned out not to be holes on close examination; it was just detritus that brushed right off when touched.

In hand, almost every card has differences between it's 8 copies, so that I can match a specific copy of a final production card to which of the 8 slots it came from. Donovan is difficult to do this for, the 8 are all very very similar. McGovern and Driscoll are the easiest. There are noticeable differences in the red on the Corbett's. It would be interesting to see if the surviving Corbett's all track to the same slot or not, but I haven't saved pictures of the ones I've seen, only the Donovan's.

Ryan and McAuliffe evidently have not survived to modernity (the single McAuliffe proof card that exists is almost certainly not from this sheet and source), and must be the lower left and lower right corners, though which is which we probably will never know. Should anyone have a miscut of these cards, a picture would be greatly appreciated.

Attached are the fake news 'holes', the sheet put together as it has been reconstituted today, and then the full layout with the Choyinski's recreated as best as I can, and Ryan/McAuliffe placed one each where they would have gone.

I was on vacation when you posted this Greg and I just read it this morning. Great info on the sheet layout.

Member mkdltn posted this info in 2010 he didn't post often but his posts were informative and well researched. The T220 sheet seems to be the right size for the hoe #5 press one of the two that he suggested were used for the T cards.

Originally Posted by mkdltn

I am not sure about the 19 inch press track measurement. That might be the measurement for a proving press.

My research leads me to believe that a HOE NO.4 or HOE NO.5 flatbed stop cylinder lithographic press was likely used to produce the T cards. I found an article in an electrical engineering magazine from 1897 describing the new facility that ALC moved into after consolidation. This is approximately 12 years before production of the T206 cards. On the picture of the sixth floor layout posted below there are 30 lithographic presses. I believe the article mentions that this is one of three floors filled with presses. At the time a HOE NO.4 press would cost anywhere from 3000 to 5000 dollars. That would be a capital investment of 120,000 1897 dollars, That is very roughly about 3 and a half million dollars in todays money. (That is very much an approximation because the inflation calculator only goes back to 1914) the point being that I think that ALC would have squeezed every bit of use out those presses and to think that they would still be in functioning 12 to 15 years after installation is not beyond possibility.

The bed of the HOE presses is also posted in image 3. these dimensions lead me to believe that the sheets could have been much likely larger than you would think. The HOE No. 5 could use a 36x52 in stone or plate. Schmidt litho also used similar presses.

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