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#1
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As far as Mayo Smith goes, I swear that card was a part of every lot of '56 commons I saw awhile back.
Am convinced there was one in every pack! |
#2
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Card #75, Roy Sievers, shows an image we could all be seeing frequently this summer. He leans against a railing which separates the field from the stands. Unlike many similar shots, there is nobody in the seats. Absolutely nobody.
While baseball fans are beginning to wrap their heads around Major League Baseball in 2020, this mid-1950s common shows us a glimpse of the "action" we're likely to see this year. Sievers lazily props himself against the rail, likely stretching out his muscles as the day begins. The morning sun can be seen reflecting off his sunglasses, yet the empty stands are awash with a green tint rather than golden sunlight. This seems to occur frequently with 1956 Topps cards. For reasons unbeknownst to me, their creative team chose this hue on quite a few issues from this set. The more frequently I encounter this, the more familiar (and oddly appealing) the colorization becomes. Sievers' portrait shows a 29-year-old outfielder whose career was entering its eighth season. His facial features strike the balance between being experienced enough to have gained wisdom and being young enough to have enthusiasm. He looks relaxed, content, happy. Perhaps this frame of mind helped propel him to his first of four All-Star seasons in 1956. It seemed as though he began to hit his stride and fulfill the promise shown during his Rookie of the Year campaign in 1949 with the St. Louis Browns. Although not a household name today, Roy Sievers surely put fear in the hearts of opposing pitchers during an eight year stretch in the mid-50s and early 60s. From 1954 through 1961, Sievers finished in the top seven of the MVP voting 3 times. He also finished in the top 31 three other times. His best season (by "classic" statistics) was 1957, when he hit .301 with 42 home runs and 114 RBI. All this while striking out only 55 times. As a matter of fact, Sievers never struck out 100 times or more in any of his 17 big league seasons. He hit over 300 home runs. He overcame numerous injuries, suffered early in his playing days, to put together a very nice Major League career.
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Eric Perry Currently collecting: T206 (135/524) 1956 Topps Baseball (195/342) "You can observe a lot by just watching." - Yogi Berra |
#3
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I gotta say seeing all these close ups is giving me renewed appreciation for the 56 set. Great colors and very ambitious. I still feel like all these leaping Ken Griffeyesque home run robbing catches is a little over the top but still it is growing on me.
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#4
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For the moment, it seems as though all the pictures have vanished. Hopefully, this is a short term software glitch.
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Eric Perry Currently collecting: T206 (135/524) 1956 Topps Baseball (195/342) "You can observe a lot by just watching." - Yogi Berra |
#5
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Don Liddle.
Know the name? I imagine many of you do. For those who don’t, let me paint a quick picture. The date was September 29, 1954. The Indians and Giants were facing off in game 1 of the Fall Classic. In the eighth inning, with the score tied 2-2, Cleveland’s Vic Wertz launched a ball into the cavernous expanse of center field at the Polo Grounds. New York’s immensely talented outfielder, Willie Mays, gave chase and miraculously caught the fly ball before it dropped for extra bases. “The Catch” endures to this very day as one of baseball’s most recognizable plays. Even the most casual fan has seen replays of this clip and remembers it well. Mays racing towards the wall, tracking down the baseball, pounding a fist into his glove, and making an over-the-shoulder catch. The man whose bat launched this deep fly ball has also been remembered by the majority of fans of that era. But what about the pitcher? Far fewer people know his name. As you may have guessed, it’s Don Liddle. I first discovered this name back in 1994. That year was notable, of course, because of the baseball strike. However, something equally significant happened for me back then. Perhaps because the sport was on hold, I began to look back and discover the history of the game. This journey of discovery was aided greatly by the release of “Baseball: A Film by Ken Burns.” Of the many memorable scenes which appeared in that series was a clip of Bob Costas discussing “The Catch.” He mentioned that Liddle had been brought into the game to face one hitter. After Mays’ spectacular play, Liddle’s deadpan remark was, “Well, I got my guy.” Now, to me, that’s funny. I can appreciate dry humor. In this 1956 Topps offering, card number 325, Donald Eugene Liddle exhibits a bit of that humorous streak. His lips are curled into an ever-so-slight smile, his head is cocked slightly to the side, and his eyes reveal practically nothing. Liddle looks like he’s up to something; I can imagine his gears turning beneath that classic New York Giants cap. Perhaps the cameraman made a remark about Liddle’s ears (they’re hard not to notice) and Don was planning his revenge. To the left of Liddle’s portrait is an action shot. The southpaw is delivering (or simulating the delivery of) a pitched ball. His left arm, at the tail end of its follow-through, seems ready to jump off the edge of the card. Interestingly, the lower half of that arm almost seems a shade too long. Trick of perspective or just my perception; I can't tell which. Anyway, Liddle's other arm and glove are tucked tightly against his slender body. Perhaps this is to make room for the pitching arm whipping around his torso like a slingshot. In the background, there is an empty but beautiful expanse of green. The grass, the stands, even the wall visible in the distance are all drenched with an emerald hue. There’s a stillness to the scene, a calm and peaceful backdrop contrasting Liddle in motion. When flipping the card over, I am greeted by the usual array of words and numbers. Liddle seemed to be on the right track, having won more games than he lost, including the World Series clincher in 1954. Poring over these numbers, I take notice to yet another incorrect birthday. This seems to be fairly common with 1956 Topps. Despite the card's biographical information, Liddle was born in 1925. May 25th, as a matter of fact. He’ll be 96 years old next week. Treasure these ballplayers from the game’s bygone eras. Let us not take them for granted. Their numbers are ever shrinking. So, I spent some time looking at a baseball card today…a long, detailed look. What I found was a reminder of a few passions burning brightly within me: a willingness and desire to be part of the Net54 community; the enjoyment I derive from collecting this set; and the life-long love I have for this game. Baseball truly is a glorious thing.
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Eric Perry Currently collecting: T206 (135/524) 1956 Topps Baseball (195/342) "You can observe a lot by just watching." - Yogi Berra |
#6
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Eric....awesome thread and thanks for taking the time...I initially missed this and it was fun to read through from start to today. LOVED IT. My favorite thing to do is take a set and a beer and just wiki all the players no one talks about and learn their history as I thumb through the pages. This is another level. I am currently knee deep into the 1956 set myself, so very timely for me as well.
Thanks again, keep em coming! For years I have avoided this set as a 55 copy cat (55's being a favorite) and am now truly finding an appreciation for some wonderful cards...
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John Otto 1963 Fleer - 1981-90 Fleer/Donruss/Score/Leaf Complete 1953 - 1990 Topps/Bowman Complete 1953-55 Dormand SGC COMPLETE SGC AVG Score - 4.03 1953 Bowman Color - 122/160 76% |
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