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#1
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__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#2
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#3
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#4
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There is some culpability on the part of both parties, but the onus falls largely on the auction house. Sure, David could have called and asked some questions, but he shouldn't have had to. The description, along with the scans, should provide all the information a bidder needs to bid confidently. Could you imagine if every bidder had to call to ask for a better description of lots? It would be a fiasco.
One of my hobby pet peeves (I have many) is the way auction lots are written up. I have never seen worse writing in my life than lot descriptions. Hundreds of useless hyberbolic words, numerous convoluted and hard to follow sentences, when a simple "SGC 10 with pinholes" would tell the bidder pretty much everything he needs to know. But writers of auction text gobbledygook have perfected the art of obfuscating any information that would adversely affect bidding. I hate the wordiness of these catalogs and I'm sure many others do too. Just write short, clear, and precise descriptions and move on. |
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LOL! Like Memory Lane.....BID TO WIN! GET IT! OWN IT NOW! They are so short, I love seeing what new things they can come up with in 4 words or less!
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#6
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__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#7
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They should supply all the relevant information possible, and leave out all the unnecessary background noise. In the time it takes them to compose all that flowery verbiage, they could point out the pinholes and have some time left over to work on the next lot. Yes, pinholes are an integral part of the lot description, IMO. We're not talking about a surface wrinkle in one card that they may have missed.
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#8
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#10
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Original Post with link to lot attached
First of all, this isn't a hit and run post. I do need to leave the computer for a couple of hours or so, but I will be back to answer any questions as well as to respond to posts. Here's the situation: I won the lot of 10 Oxford Confectionery cards slabbed by SGC in the recent Legendary auction. The description was minimal, and the scans were a tad small in my opinion for what I am about to describe. When the cards came in, the four SGC 10 Pete Alexander cards all had damage that was not evident from the scans. Three of them have four small holes apiece where the cardboard is gone (not just thin spots). The fourth card has a half-inch gouge (indentation) on the front that ends in a small pinhole-sized hole. Two of the Alexander cards have scrapbook/back damage. That wasn't disclosed, but was evident enough from the pictures, so I factored that into my bid. I called Jeff Marren (VP of Operations) today at Legendary. We spoke for about ten minutes on this. Without going into the details yet, what do you think should have been done on Legendary's part both before and after the sale? Areas of discussion might include, but are not limited to, due diligence on my (buyer's) part, disclosure requirements, if any, on graded cards, especially card graded "1", value of the lot/cards with or without the damage, obligations on Legendary's part (if any) post-sale, etc. Like I said, I will fill in all of the details in a bit. Fire away, please! I have removed the link to the auction page as that no longer works but gives a 404 error message Last edited by Rich Klein; 02-01-2015 at 01:16 PM. |
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So post scans that actually show the card and its issues. The scans they posted of these cards are useless. They might as well have drawn pictures of the cards with crayons. That would have been just about as revealing of the cards' issues.
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#12
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I don't disagree that they should have posted a better scan.
__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#13
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__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
#14
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1) Write an accurate description of a lot's physical characteristics and condition. 2) Supply historical context where it applies ( more so for memorabilia than cards). 3) Offer a little bit of hype to make the lot seem as appealing as possible. It's a bit of a balancing act and you don't always get it exactly right. Some are really good at it, others offer nothing more than endless hype, just sentence after sentence stating that a particular lot is the greatest thing ever offered. Meanwhile, the auction house has no idea why the lot is important in the context of baseball history. And I do agree that LOTG does about as good a job as anybody of balancing the three. And Al has a good sense of humor to boot. But I've read other auction descriptions that are simply cringe worthy and embarrassing. Last edited by barrysloate; 12-04-2013 at 08:00 AM. |
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One of my all time faves was in an old Drent catalog, he described a card as having the colors of a Hawaiian sunset. Bussineau used to have some doozies too, in fact he may have been the pioneer of the over the top write-ups. He was creative though -- "antique white" as a euphemism for toning, for example.
__________________
Net 54-- the discussion board where people resent discussions. ![]() My avatar is a sketch by my son who is an art school graduate. Some of his sketches and paintings are at https://www.jamesspaethartwork.com/ |
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