MY newest Gehrig pick up and a question for the photo guys.

[drcy]

For those who don't know, the Burke at 847 Belmont Ave stamp is the stamp Burke used in the 1930s to early 40s. So on a George Burke DiMaggio or Ruth or whomever 1930s image, you want to look for that stamp/address. The stamp won't pinpoint a year, but is the old c. 1930s stamp. George Brace was his young assistant and later business partner who reprinted his images later-- with different stamp/address. Brace also was a baseball photographer in his own right and made his own photos. I believe Burke died in 1951 and Brace died more recently. A 'Burke & Brace' at different address or 'George Brace Photos' at different address stamp on a 1930s image will point to it being a later reprint, though I believe the Burke & Brace photos are still often old. On a more modern original photo by Brace of say Willie Mays or Mickey Mantle, Brace would stamp is own name and copyright 'George Brace.' It sounds a bit messy, because it is, but it's easy to remember that the Geo. Burke at Belmont Avenue Chicago are the vintage circa 1930s ones by Burke.

Anything with a Burke, Burke & Brace or Brace stamp will have been an 'official' photo, even if a reprint, as Burke & Brace were partners and Brace owned all the photos and negatives after Burke died. After Burke died, Brace was essentially a photo service, so his stamp on a reprint would be the equivalent of an AP stamp on a photo. In photography, an 'official' photo means it was made by a legitimate source with rights to make the photo, such as a news service, famous photographer's estate, Hollywood studio or Major League Baseball, as opposed to an unlicensed reprint by Joe Blow. If MGM re-issued Gone With The Win for theaters in 1979 and made new press photos to promote the new showings, the 1979 reprinted still images of Clark Gable and Vivien Leigh clearly won't have the value of the 1939 originals, but will still be collectible and have some value as they are official 're-issues' by the studio. For the record, Hollywood movie studio re-issue stills and press photos will have the studio's copyright text and date of re-issue somewhere on the photo, so aren't hard to identify both as re-issues and official. And, along the lines of Gone With The Wind, while clearly not nearly as valuable as Burke's originals, a Brace reprint is collectable and great for matting and framing with autographs. A collecting rule is don't invest in unofficial modern photographs, because they have no longterm value and are often illegal. If you unload your cache of unlicensed Richard Avedon reprints on eBay, his estate might sue you and block the sale. And, besides, digital reprints made on someone's home computer won't sell for much anyway.