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#1
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I have never understood the whole numeric system at all. A card can be gem mint in appearance but have an invisible microcrease on the back only visible by 10x loupe and it's a 5. In the old days that card would sell at top condition all day long. Yet, I have seen (the variety of 52 Topps Mantles is a good example) all 1's lumped into the same giant cesspool. There are 1's that actually present decently and others that went through a washing machine. There are many 4's that present beautifully. Why is their grade only 3 away from the washing machine card?
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Actively bouncing aimlessly from set to set trying to accomplish something, but getting nowhere |
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#2
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Quote:
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#3
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Wasn't the whole idea of half grades to take the eye appeal into account? |
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#4
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But much more prevalent in their creation of half-grades was to generate millions of additional unnecessary submissions, and subsequent profits for their shareholders. |
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#5
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I agree 100% with that, like the new slab, the new lighthouse shiny thingy, and the new security chip that is on the way.
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#6
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I would agree that revenue generation, and the idea of many more unnecessary submissions in the eyes of TPG executives was more responsible for them doing that than the need to improve the grading scale. That said...have I mentioned I love graded cards with the .5 bump!?! I know. But it's human nature. This card is that much more slightly better because it's a whatever, POINT FIVE. lol.
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. Last edited by jchcollins; 01-04-2020 at 03:44 PM. |
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#7
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So damned funny.
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#8
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A few "consistencies" - Industry standards?
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#9
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The point of this is that the lower end of the scale being less important then as it is now, got less attention in the ever more ridiculous attempts to further refine grading scales. So by comparison to the upper grades, the Poor to about Good range with many TPG's still has even more subjectivity and room for variation. It's not necessarily fair, no, but grading scales have generally been written to evaluate "technical condition", not eye-appeal alone. If we are going on eye-appeal alone (again, still subjective - one man's beater Mantle card may still be the Mona Lisa in his eyes...) that might be a different story as to how to evaluate cards in the lower end of the technical spectrum.
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Postwar stars & HOF'ers. Cubs of all eras. Currently working on 1956, '63 and '72 Topps complete sets. Last edited by jchcollins; 01-04-2020 at 03:18 PM. |
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