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#1
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Yeah, interwar Italian cards are one of many backwaters of obscurity in which i like to immerse myself. Not as cool as Ukrainian chewing gum cards, though.
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Read my blog; it will make all your dreams come true. https://adamstevenwarshaw.substack.com/ Or not... Last edited by Exhibitman; 12-11-2021 at 05:29 PM. |
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#2
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Here's a couple of newer cards compared to what's been posted lately! Here's two cards that I just got back from SGC, found a complete 1998 Cardinal set in my parents basement. I sent the Austin in as a test, will be sending more in for sure!
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My collection can be viewed at http://imageevent.com/jeffintoronto Always looking for interesting pre-war baseball & hockey postcards! |
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#3
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A stack of Mayo's. I don't know how many cards actually constitute a master set even; the name at bottom cards come in multiple varieties and tones with major differences between images. Divining what was an intentional change and what just happened during printing is a line pretty much impossible to know from this remove.
The panel is right up my alley, unique oddities to complement a set run. The Mayo's are about the best of the 19th century boxing sets, 35 cards is a lot by 19th century boxing standards and the images are nice. Unlike most of the black and white cards of the period, the images don't really have a fading problem. |
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#4
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The Mayo name on bottom tone variations are vexing. Here's a Hall which is the most severe of the variations:
![]() The layer of artwork is missing. Here is a side by side with a normal tone: ![]() I used to own that uncut two-card strip.
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Read my blog; it will make all your dreams come true. https://adamstevenwarshaw.substack.com/ Or not... |
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#5
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The vast difference and clear change to the artwork makes them, I think, true variations and thus necessary for a master set. Part of the fun of boxing is that I’ve almost never had an actual complete checklist available when starting a set.
As I recall, this panel is the smallest of 3 that at one point were all connected together. I think these 3 related strips are the only N310 Mayo uncut material, but what do I know. I’m happy to have it to add to my little stack of 19th century |
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#6
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It is one of a former three-piece strip. There is a strip known with Sullivan and Corbett on it.
https://auction.lelands.com/bids/bidplace?itemid=15476 You are never going to complete a master set with the missing artwork cards. I've seen two of them, this Hall and a Dixon. That's it.
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Read my blog; it will make all your dreams come true. https://adamstevenwarshaw.substack.com/ Or not... Last edited by Exhibitman; 12-19-2021 at 12:18 AM. |
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#7
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I don't expect to complete N310, but I include all variations in a master set. I'd like to get to at least 70 eventually, but it's not a priority until I finish T220 (188/190), T218 (622/632) and T219 (145/200). "Until" meaning "Big IF"....
Got 9 more Silver's in this week, 8 from a friend and the McAuliffe off eBay. The McCoy is a cool one that has the layer of silver spread lightly over his name, making it quite faint. The Burke has a wet sheet transfer on the back I didn't notice for a few days, showing his name. Wet Sheet transfers are very common in the Type 2 white borders, rarely seen in the Silvers. Both the Driscoll's are the "stained corner" variation. |
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