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#1
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I always found it odd to grade comics. They're different from cards or coins in that when they're encased, you can't actually read the thing or see its pages—which is the purpose of them!
To me, it would be like having a binder of a set with a front and back page showing encased.
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[FONT="Lucida Sans Unicode"]CampyFan39 |
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#2
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#3
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I agree as well. I think of things like illuminated books. Imagine if you had a copy of one of William Blake's illuminated books and you slabbed it. How could anyone ever appreciate what's inside and what ultimate purpose does slabbing it achieve? There are better ways to conserve things you're meant to look at.
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#4
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How can cards be next?? In the comic book world, restoration is acceptable. But with trading cards, the opposite is true. So how can a card doctor sue a grading company when he is NOT supposed to be restoring cards in the first place??
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#5
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CGC even does some of it: pressing.
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#6
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That's been very controversial from the start. The Overstreet Comic Book Price Guide (which had served as the Bible for comic collectors since 1971) had been including a page on restoration techniques and therefore what constituted restoration since at least the late-1970's.
But CGC had its own less strict opinion of what constituted restoration - and pressing didn't qualify as restoration on its list because no extraneous substance/material was being added to the comic by the pressing process. But, CGC didn't let everyone know that it didn't consider pressed comics to be restored. Only a few friendly dealers who were in cahoots with CGC to bid up the prices of comics in CGC slabs (and thus their own inventories) initially knew that pressed comics could still get blue unrestored labels. Yes, that really smelled.
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That government governs best that governs least. Last edited by Balticfox; 09-21-2025 at 01:48 PM. |
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A slippery slope indeed, seems that an auth/alt grade would make things more simple. |
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#8
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I thought encapsulation was stupid too, but then I read some of the Silver Age books I remembered fondly from my childhood, and I remembered why I tired of them. "Crapola" would be a charitable review. The stories are facile and silly, and with giant plot holes (villain exposition, never killing the hero straight-up when he has a chance, etc.), but that fits an item meant for a ten-year-old boy to read. The best parts of most books are the covers, so why not slab them and enjoy the cover art? ![]()
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Read my blog; it will make all your dreams come true. https://adamstevenwarshaw.substack.com/ Or not... Last edited by Exhibitman; 08-22-2024 at 04:27 PM. |
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#10
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Sorry, OP, but this is a case of being TLDR.
Can anyone do a quick bullet point summation of what the first post contains, and hence explain what is going on? (I'm sure a heckuva lot of other members would appreciate it, too.)
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- Some guys got really good at comic restoration - CGC said they were fakes / reprints, so stops accepting their submissions - The guys really were THAT good at comic restoration - CGC now owes those guys lots of money Last edited by Smanzari; 08-22-2024 at 05:23 PM. |
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#14
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The issue here concerns First Amendment right to free speech, and its limitations. Has nothing to do with restoration. Once the guy from CGC stopped providing opinions (which all grading companies do when they inspect, grade, and slab a card or comic book) and started to publicly slander the restoration company, he got in hot water. Should have known better.
EDIT: Here is a link to an article that explains that CGC had concerns that the comics were not being restored but were being reprinted, recreated, and or faked. In other words, the comics were counterfeits. That's not an issue of restoration. It an issue of whether fraud was committed based on allegations of fakes and recreations. Then, the restorers filed a defamation suit, which of course, involves the First Amendment. https://www.pennlive.com/news/2019/1...slandered.html EDIT # 2, quote from attached appeal: "It bears emphasizing here that within the industry, a comic book’s value becomes greatly diminished once any component is substituted or removed, such as 'trimming' off the damaged edges of a page or 'reprinting' covers with a Xeroxed copy. Such practices both mar the quality of the original comic book and mislead collectors about how much of the original work remains. 'Re-creation' is often synonymous with 'fake' or 'counterfeit.' See Page 5 of attached opinion. https://www.pacourts.us/assets/opini...9280486128.pdf Last edited by gregndodgers; 01-20-2025 at 02:11 PM. |
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