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#1
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Rhys- as we know grading systems only survive because they spew out numbers. They never dispense with numbers in favor of a descriptive system. I'm not a photo guy but after reading this thread I am leery of the process. Is PSA getting this right nearly 100% of the time? What is their margin of error?
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#2
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I believe the margin of error is much much less in this classification system than it is in a subjective(1-10-with 1/2 graded) baseball card grading or auto authentication. Instead of.."i looks real" or "i think this looks like a 9" it is backed up by news stamps, date stamps, age of paper, captions, silver gel..etc.. Is there room for error because ALL facts are impossible to know? Of course..it is a guide/tool for the buyer/seller who loves photos to use in determining a value without being a photo expert. Is PSA making money? Well..I am sure yes. Are they providing a value to the photo industry on education? As a collector/buyer/rare seller of photos, I believe yes. That would be one definition of a successful business.
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[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection |
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#3
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#4
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__________________
[I]"When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls." ~Ted Grant Www.weingartensvintage.com https://www.facebook.com/WeingartensVintage http://www.psacard.com/Articles/Arti...ben-weingarten ALWAYS BUYING BABE RUTH RED SOX TYPE 1 PHOTOGRAPHS--->To add to my collection |
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#5
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If you Xerox a memo and then Xerox the copy, the clarity is reduced with each successive copy. The same is true for photographs. You also have another effect, which is increasing contrast--the middle tones start to disappear and become increasingly white or black. You can see that in the Marquard image. I once owned a vintage print of this image, and the clarity and tonal range was astounding. George Grantham Bain, by the way, very frequently copied the images of photographers who were not employed by his agency.
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