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#1
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Quote:
Have you seen a lot of intentional trimming of photos prior to being slabbed? I'm not questioning your observation, just really wondering what the point would be since, to my knowledge, PSA does not actually grade the photo being slabbed but rather deems it "authentic" or not and assigns a Type, neither of which would be affected (or improved) by trimming. I could see this being a concern once number grades are being assigned to photos (not doubt it's coming sooner or later), but until then, I would think that most of the photo-chopping was done by editors over the years cropping photos for publication. Am I being naive in thinking that? Last edited by thecatspajamas; 03-15-2012 at 03:21 PM. |
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#2
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Photos are not cards. Trimming is common. Photos are collected mostly for the aesthetic presentation of their subject matter. Of course you want stuff that is in presentable condition, but I know of no serious photo collector that collects a photo because it has sharp corners.
The act of Number grading photos would be a horrible failure IMO. |
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#3
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I agree. I don't like the 1-10 grading system for photos. There's nothing deficient with editorially used photos that have rough or whatever edges. Collectors trimming photos to get a PSA 10 is a horrible thing. Altering something for the sole reason of $$ is terrible, and the 1-10 grading system gives reason for collectors to do that.
Honestly, no serious photo enthusiast gives a flying f*ck if that photo grades a 10. The 10 stuff is for 1985 Topps Tiffany collectors. Last edited by drc; 03-15-2012 at 04:19 PM. |
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#4
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I don't want you guys to get me wrong, I am in no way advocating a numeric grading system for photos. I just hope to goodness that the various grading companies at least get the same reaction of disgust expressed here if/when they feel that out as an option.
I could be off in this too, but I get the feeling that there are more newcomers to the photo collecting corner of the hobby these days than ever before. Whether it makes sense or not, oft times collectors will bring "baggage" with them when migrating from one area of collecting to another, which may be as simple as mis-applying terminology, or in my thinking here, a proclivity for encapsulating everything in their collection with a number grade on the flip. Maybe I'm being overly-cautious in my thinking and cooler minds will prevail, but as much as I dislike the idea, it wouldn't surprise me to see it at least tried. Edited to add: Scott, thanks for the added info/experience. Much more well-written than my own concurrent musings. Last edited by thecatspajamas; 03-15-2012 at 04:32 PM. |
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#5
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Yes, there are plenty of newcomers, but there are still plenty of great photos at reasonable prices. We didn't use to have many people to discuss vintage photos with - I'd rather have more collectors and fewer photos than vice versa. Much more fun, and besides - we're all just renting this stuff.
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$co++ Forre$+ |
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#6
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Hi Andy
I'm a rookie photo collector myself and can only echo what other members have said in this thread. Check out David's website, buy the book and read past threads. The knowledge you will gain will be a valuable tool for collecting vintage photos. Don't rely on "dumb luck" like I did. The first vintage photo I bought was of Larry Doyle taken by Louis Van Oeyen. After some research, I realized that I should have bought a few more photos the dealer had. When I went back to the dealer the next day someone had beat me to the punch. All the other Van Oeyen photos were gone. A simple case of the dealer and I didn't know what he had! Even if you're like me and can't afford a Conlon or Horner photo, there are still some really cool vintage photos out there to buy/collect. Hope this helps you Jantz |
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#7
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George Burke's are affordable and top notch in quality. They're just more plentiful which lowers the price. Amongst other things he shot the photos for the 1933 Goudeys-- and he photographed all the days' stars Ruth to DiMaggio to Ted Williams. The backs of his are stamped Geo. Burke with his his 807 Belmont Ave Chicago address.
Collectors can also go into cabinet cards, panoramas, tintypes and other great stuff. Last edited by drc; 03-16-2012 at 02:53 AM. |
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#8
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like
Last edited by thekingofclout; 03-16-2012 at 05:04 AM. |
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#9
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After collecting and selling mainly vintage sports publications for 25 years, I started collecting photos over the last 2 years. There were a few reasons for this migration. 1) Space...thousands of wire photos fit into a bunch of binders on a book shelf. 2) Price...good bargains can still be had. Even with high end auctions, you still can sneak in and get good value. 3) Uniqueness...The majority of the images are unique. There are no price guides and your own eye can place a value on what you like. This can be helpful with #2 price. However, this also be tricky upon resale. The image that you loved might not appeal to everyone else. 4) Availability... with all of the large archives begin sold or digitized, the sheer volume of what is on the market is amazing. 5) Built in provenance... I particularly love photos that have both the stamp and paper caption. With the exception of some modern reprints (which are easy to identify), older photos with both of these elements can be dated, identified and certainly do not need some third party grading system.
And like many before...DRC's website and the Yee/Fogel book are essential. Jeff |
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#10
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But yes, I saw plenty of intentional trimming. 8-10 years ago we were posting 'before and after' examples here on the board, but there wasn't much interest in the subject at the time - photo collecting was not as big as it is now. Yes, some were cropped long ago, but such items show age over the years - moreso than cards, because the photos were often handled roughly, and in many cases, weren't collectibles. I had a Newsboy cabinet of Ward that was stamped, mailed repeatedly, and still held up very well - but it was just considered a photo of a baseball player. The reason is always money - Trimming brought more money to the sellers. If you cut off the rough edges, it looks like it's in better shape. Photos were later slabbed because some collectors seem to want everything behind plastic that can possibly be put there, and slabbers were ready to take money for that as well. Trimmed photos look better in the slabs than do those with rough edges, so, yes - I think slabbing led to even more trimming. It was all a simple progression in my opinion. The photo-slabbers definitely considered 'grading' photos, but it was too tough to determine if a photo had been altered. Imagine strip-card grading with even more variables - it would have been a nightmare. By simply slabbing as 'authentic' (with types added), the pre-slab owners are free to do whatever they need in order to make their photos 'prettier'. It's sad to find photos with pristine edges, then you look at the back and see half of an original Conlon signature. Or, the original newspaper clipping of the photo is glued to the back, and it's a larger image than the photo on the front. This is the sort of thing I look for when purchasing more expensive photos. If I don't want to see the rough edges, I'll matt it out myself.
__________________
$co++ Forre$+ |
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