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#1
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The very same Jerry Richards appeared on an episode of a memorabilia show on the history channel and quickly concluded that a photo of an old man could not depict Jesse James because the ear did not match that in a photo of a young Jesse James.
Forensic professionals can be hired to either tell you what they think or to take a side (like a lawyer). The arguments you made, in my view, are kind of boiler plate when the photo details aren't supportive of your point of view. Also they presume that I have no aptitude for visualizing how the appearance of complex 3-D objects are affected by lighting and shadow. As to aptitude, I think I have proven otherwise. My first career choice was commercial art and I did take lessons. >>taking into account how certain facial features can change over time, coupled with the margin of measurement error caused by photographic process, resolution, lighting, changes in appearance during different photographic poses,... So, if pose, shadow and unspecified distortion can so easily fool the eye, couldn't that make someone who is not Anson look like Anson? Last edited by bmarlowe1; 07-09-2020 at 01:14 PM. |
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#2
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What I would love to see is a photo of the earliest known Cap Anson, compared to those taken of him 20 - 25 years later. Using similar grid lines and the same analytic techniques, it would be interesting to see how the comparison (young vs. old) stacks up.
I can definitely see how the angle of the camera and the differing lighting conditions could produce results that are not exactly "apples to apples". And it does not need to be limited to Anson... it would be interesting to see how these same comparative techniques stack up for any well-known player (with the initial image being from the player's teens, and the final image being from his early 40s). As for the comparison at hand, I believe Anson's most defining feature is his deeply inset eyes and protruding brow. The photo from the tintype does not seem to confirm or deny this trait, but I would not be too surprised it it is indeed him. Either way... a very interesting debate! |
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#3
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Mark is the preeminent facial recognition expert in th hobby. I am glad that his opinion coincides with mine, or else I would just assume I was wrong. The good news is that this photograph will probably remain in Coreys collection for a long time and he can call the kid in the image anyone he wants.
JC-You still want to buy it? |
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#4
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Mark's Post # 53 nicely illustrates how the facial features remain static over time, especially with regard to the ears.
Mark, can you tell us Anson's approximate age in those 2 photos? And if not, how many years likely passed between those two images? Great stuff! |
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#5
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In the above post #53, the younger Anson is from an 1885 Chi NL team composite. The older I am not sure.
But here is Anson from the 1881 Chi NL team composite, and a much older and fatter Anson from the HoF library. The head angles are a bit different, and the HoF photo is higher res (with more apparent detail), but the ears look substantially the same. Of course in life there were very small differences in the ears to be sure, but not that can easily be seen in a photo. This is virtually what you always will see. Last edited by bmarlowe1; 07-09-2020 at 01:16 PM. |
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#6
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Hate to add one more component to this discussion, but here goes...
It must just be the lighting or shading... but the older/fatter Anson in post #60 appears to have a cleft in his chin. Since none of the other Anson images even hint towards this, I'm guessing it's just a shadow or something else making it appear that way.
Last edited by perezfan; 07-06-2020 at 07:03 PM. |
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#7
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My experience is that a very shallow chin cleft can appear or disappear depending on photo resolution.
I have a couple of other Anson scans where you can barely see it, others where you can't see it at all. I have never been able to find anything written about how stable a shallow cleft is. Of course a very deep cleft should be visible (unless it was washed out which was sometimes done in the 19thC). Last edited by bmarlowe1; 07-06-2020 at 07:23 PM. |
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#8
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Quote:
Photography as applied to photo ID is very different than art applied to photo ID. IMO a background in one does not give one expertise in the other. And yes, just as factors that can make one appear not to be someone he/she is, those same factors can make someone appear to be someone he/she is not. My point is that there is uncertainty when one does this kind of photographic comparison, and the results typically are not either "it is" or "it isn't", but scales of probability in between that then invite one to consider other factors. That is all I have ever said about this comparison. You are the one making the absolute statement of a definite conclusion, that respectfully I do not agree with. Last edited by benjulmag; 07-06-2020 at 10:08 PM. |
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#9
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>> but scales of probability in between that then invite one to consider other factors...
My understanding has been that the guy holding the ball in these earlier 19thC team photos is THE pitcher (or maybe I should say "probably" the pitcher.) Your "Anson" is holding the ball and I can only find mention of him playing 2nd base at Marshaltown. I can't find mention of him being the team's pitcher, though my 10 minutes of research has not been exhaustive. So how does does this factor into your probabilities? Last edited by bmarlowe1; 07-06-2020 at 10:43 PM. |
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#10
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“I dated the Marshalltown tintype as c. 1870, because in it Anson seems more developed than in the albumen image dated c. 1868. The question rises, even if the images are from different years, whether there are any overlap of players, as one would reasonably expect at least a few. Logic would suggest starting one's search by focusing on the players sitting to Anson's right and left, as by their prominent positions in the front of the photo adjacent to Anson they would seem to be good candidates to be team veterans. The person on the front right in the tintype bears a strong resemblance to the person standing in the middle of the albumen image. Among its consistencies are a comparable tilting of the lips when the reverse image of the tintype is factored in.”
Corey-if you date the tintype as two years later than the albumen photo how do you account for the fact that the majority of the players in the tintype are younger looking than the players in the albumen photo? Why would Anson be playing with younger players as he aged? |
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#11
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Quote:
We can go on and on about this. But, to repeat my main point, photo ID in this instance is inconclusive. We are in the area of shades of gray. To some it could be a dark gray, to others a light gray. Once you transverse out of the area of science to the area of art, subjectivity comes in and different people can reasonably have different opinions. You made a comment earlier about your aptitude. I don't question that you have knowledge in this area. But, and I say this respectfully, you might want to consider that another sign of increased knowledge is an increased appreciation of what you don't know and the limitations of what available evidence can conclusively tell you. Last edited by benjulmag; 07-07-2020 at 03:17 AM. |
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#12
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And while other aspects may be interesting to talk about, I believe the face ID evidence here is conclusive. I don't expect us to agree.
Last edited by bmarlowe1; 07-07-2020 at 07:40 AM. |
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#13
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Not the first time that has happened. Truce?
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#14
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Yes - stay safe.
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